Urban Art Project Unveiled In Downtown Long Beach
- Details
- By Daniel DeBoom
- | Monday, 16 August 2010 10:00

2nd District Councilmember Suja Lowenthal addresses the crowd under the canopy of the project.
3:00pm | The wraps were taken off a new public art project in downtown Long Beach over the weekend, as the crane-and-cargo-net design of Los Angeles art group Greenmeme was unveiled for the first time.
The project is called Urban Lab: Chantilly Clad and will temporarily occupy the lot at Ocean Boulevard and Lime Avenue while the Long Beach Redevelopment Agency (RDA) works on plans to construct a mixed-use residential property on the site. For now, the land is vacant and so the Long Beach Arts Council brought in artists to create a temporary installment.
Greenmeme artists Freya Bardell and Brian Howe used more than 30,000 feet of woven cargo netting, a reclaimed lumber stages and a couple of cranes for good measure to create the project, meant at honoring Long Beach's port and harbor heritage. The project takes on many forms depending on what angle you're viewing it from, but is certainly a better alternative to staring at an empty lot while it awaits development.
Photographer extraordinaire Daniel DeBoom was on hand for the unveiling, which was christened with a performance by hip-hop violinist Paul Dateh and DJ Inka One as part of the Summer And Music series. Check out the images below and stop by to see Urban Lab: Chantilly Clad when you get a chance.
Disclosure: Summer And Music is an advertiser of the LBPOST.com.










This was paid for by the RDA (Redevelopment Agency), which otherwise spendings its money subsidizing "affordable" (or at least "less expensive") housing and other new developments.
80k would hardly pay to build one apartment or condo, let alone a house. I think public art is a reasonable use of RDA money, especially on a site that would otherwise be just vacant lot.
(that money would have touched more peoples lives in positive ways had it been used to help fund the LBJCB.)
We spend $80,000 on something like this and the Municipal Band Concerts are in danger of being discontinued? Who authorizes these expenditures?
Easy fact check: the artistsFreya Bardell and Brian Howe have their office in the Atwater neighborhood of Los Angeles; see Greenmeme.com.
I don't know where they live, of course. I think Los Angeles counts as local; I would hope that the City of Los Angeles would hire artists from Long Beach, for example.
I don't know about the cost of public art, but 80k won't buy you a park.
The small new park at the corner of the Promenade and 1st street is about 1/4 of a block in size, and cost the RDA $11.7 million, according to this story:
http://www.gazettes.com/news/article_eb55e97b-87c3-5bdb-a59b-75708d8eefb8.html
I think the cost includes a fancy new building for the Bikestation.
Construction cost inflation is really out of control; every project is getting more expensive. And it's not just government work, look at he cost estimates for new office towers downtown, or the PCH and 2nd project.
Even the K-9 corner dog park at Pacific and 9th, which is only 35 x 100 feet (the size of a single home), cost $300,000:
http://www.dailybreeze.com/news/ci_13437563
This art piece is activating an otherwise vacant lot near a huge, busy intersection. The art piece will continue to highlight this prime area for about 2 years until the lot gets developed into the tax-generating high-rises that it is destined to be.
If we really want LB to not be the sh*thole that so many commenters claim it to be, maybe we should start holding it to a higher standard....
Besides being reminded of the port, the metal beams seem to have only one purpose. Physically they support the three fishing-net-like pieces in the middle. What I found interesting is the weaved boat rope that forms the fishing-net-like canopies. If the goal was to remind people of the port and cranes that unload containers this is successful.
I saw the video of the performance and it looked much more interesting: http://www.artslb.org/news/chantilly-clad-and-classical-beats . But I haven't experienced the installation in performance mode in person. The space might work as a performance space but it seems that a small percentage of time, especially in the summer, ( http://www.summerandmusic.com/ ),is used for that purpose and the vast majority of time just sits there when people have to look at it. This piece of art does not engage the people as it could have on the daily basis. It makes people who look at it and wonder with a puzzled look hoping to discover its purpose.
I wish there was more thought as to its daily interaction with residents an people passing by in their regular daily walks. On the other hand, I am eager since summer is coming up and waiting to see it in action with performances and see and experience a different face of this installation!