Thursday, September 2, 2010

The Spirit Of Inclusiveness: A Conversation With Craig Watson
by Sander Wolff | Culture Agent | 12.04.09 |
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Craig Watson, Executive Director of the Arts Council for Long Beach, has been at the helm for a short but challenging time. With the Council under increasing scrutiny, and without an Executive Director for many months, he came in knowing that budget cuts were likely, and that the international financial crisis would hit the local arts scene hard. Still, with the support of an active and invigorated Board, he's successfully navigated some significant challenges, and helped produce some exciting opportunities for the creative community.

One such opportunity was October's celebration of GLOBAL, or the Greater Long Beach Arts Lab. In addition to 'rebranding' the national Arts and Humanities Month festivities, he changed the scope and focus to foster inter-organizational collaboration, and utilize forward looking strategies. I began by asking him about how that collaborative spirit arose.

Craig: I think it started with our earliest meeting at MoLAA. We invited artists and organizations of various sizes to attend, and the spirit of that inclusiveness was infectious. We also made it clear that, on the most basic level, GLOBAL was a platform that could handle and promote big and small plans equally. The interactivity established on the GLOBAL website through the participant guide helped foster this as well.

Sander: Were there any surprising synergies that developed as a result?

Craig: A few come to mind...the success of SAM [Summer And Music] made it easy for Justin and Ashley Hectus to help us program some of the world music that occurred during 2nd Saturday of GLOBAL. The Phantom Galleries were already established and willing to take on new projects like the "Healing" photo exhibit by Linnea Linkus, and the Port was delighted with our ability to "exceed their expectations" when GLOBAL agreed to organize and manage the children's art area at Green Port Fest.

Sander: This was GLOBAL's first year and, in many ways, it was a test run. What were some of the challenges that arose during its planning and implementation?

Craig: Our first meeting to discuss GLOBAL was held in June! So the relative shortness of time was the first major hurdle to overcome. But given the result, we are very pleased with our first year. I think with more time, we would have expanded our social media promotion and would have had more time to stimulate events or projects specifically designed for GLOBAL. Also, key to something like this will always be sponsorship. We were scrambling to line up sponsors, but in the end, the sponsors were great (DLBA, RDA, Port, Supervisor Knabe, Seaside Printing, Evalyn Bauer Foundation, etc.). So for next year, we are already starting conversations with sponsors and there are some exciting new pieces coming into play.

Sander: What about the response to GLOBAL from the community, the government, and the media? How was it received?

Craig: Like any new effort we are still helping to define what GLOBAL is. For each of the events and activities that chose to affiliate with GLOBAL in some way (and there were nearly 350 listings in the GLOBAL calendar by the end of October!), we brought more promotion and awareness to each one. I think the media coverage of the arts in October was huge, and several of the big weekend events were very well attended. Things like SoundWalk, Mid City Studio tour, Phantom Gallery art walks, Green Port Fest...each was a big success this year...not "because" of GLOBAL, but certainly helped by the increased awareness. And feedback from the City itself was very positive as they could see the quality and quantity of great art experiences occurring in their midst.

Sander: And the great thing about the GLOBAL concept is that events that are heavily marketed or well established, like the ones you mentioned, help increase awareness of the other GLOBAL events.

Craig: I have always liked that phrase..."a rising tide lifts all ships"...and it is certainly true that as we build more and more of a focus on the arts-rich community we live in, the interests will spill over to art experiences of all types. Or goals include being able to demonstrate that residents are trying new things and attending the exhibits or performances of artists and groups that they might not otherwise know about.

Sander: One of the challenges one faces, especially when resources are limited, is targeting an audience. How did you find a balance between outreach within Long Beach, and the LA and OC audience base?

Craig: Back to some of our limitations...we did not really have the budget to do much marketing outside of Long Beach this first year. However, we did commit a fair amount of resources to targeted Facebook ads. We developed six different versions of these and they were linked via "keywords" to appear on Facebook profile pages throughout 'So Cal' for anyone that showed an interest in an arts-related discipline. This is an area we will expand in 2010 and, assuming our budget allows it, expand more aggressively in traditional media. We also expect to partner more closely with the LB CVB to get information out to any and all of their clients who are here for conventions or meetings in October, 2010.

Sander: When you first arrived, one of the first things you jumped into was the planning process for Create Long Beach, which is just a fancy name for an update of the Cultural Master Plan. At that time, the community was promised continued involvement in its development. How has that involvement been achieved?

Craig: The Cultural Master Plan is still "a work in progress". As you know, we wrapped up the first phase this past June by delivering the "Create Long Beach" report. 75 citizens served on the steering committee and many small group meetings and one large forum were held to get input for this first phase. Once that was completed, the Arts Council went about implementing some of the specific recommendations in this first phase, but always intending to reconvene a new process to finalize a more specific and direct plan of action. Our work on GLOBAL, the Arts and Culture Registry and our plan for an Arts Education Summit in early 2010 could be all seen as forms of "implementation" around recommendations found in the "Create Long Beach" plan.

Sander: The new Cultural Master Plan was to be absorbed into the City's 2030 plan. When will that happen?

Craig: We have been in discussion with members of the City Council and with City staff about this. There appears to be broad support for incorporating the Cultural Plan into the 2030 plan. I expect to see that made more explicit in early 2010.

Sander: Let's talk briefly about the Arts and Culture Registry. This evolved from a collaboration between Leadership Long Beach, Doma Properties, and Smolarcorp. Since its implementation, what kind of results has it produced?

Craig: First is the size of the Registry itself! We have over 250 artists and arts organizations now on the registry. Second, we communicate to the registry participants fairly regularly. They often receive notices about upcoming opportunities (i.e. public art commissions, workshops and programs) and this will only expand as time goes by. Right after the holidays we will do a survey to get a better feel for the impact of the registry and what we might change about it. Our feedback is mostly anecdotal at this point. We know that visual artists have been contacted for shows and that some performers have gotten work. But we do not have hard numbers at this point.

Separate from the registry, we intend to revitalize our website and Facebook presence. We currently have two fan pages on Facebook...one for our Arts Learning department, the other for the Arts Council overall. These will be used more extensively in 2010 and our website will have both video, more interactivity and this will include a way to make an online donation.

Sander: Speaking of money, the Arts Council's budget received a serious blow from the City recently. How has that impacted the Council?

Craig: Dramatically! We have reduced staff, cut expenses where possible...but our biggest concern has been on our grantees. The nearly 40% reduction in funding from the City meant that our grant program had to be cut by this same percentage. Just this week we made the specific announcements to our successful grantees. Everyone knew that a reduction was coming, but that made it no less hard to deliver. Each of the 26 organizations who rely in some way on these scarce funds is having to cut back services, programs and activities.

Sander: Of the organizations that have the largest budgets, and who receive the most dollars, can you give me a specific example of how the reduced funding has affected their ability to perform?

Craig: We are gathering some of those impacts right now. It is one thing to say that funding was reduced 40% and keep that as an abstract figure. It is another thing to describe very specifically the fewer number of children (for example) able to experience a musical performance or museum visit due to these cuts. These are stories that need to be understood and we will be telling them.

Sander: The Arts Council had an organizational shift that put it under the Economic Development umbrella. What has arisen as a result of that change?

Craig: The Council has always been closely tied to the Economic Development and Cultural Affairs Bureau and that continues. The head of the Bureau, Robert Swayze is a member of our Board of Directors and has been an unswerving and passionate supporter of the arts and the Arts Council....so really that relationship has not changed.

Sander: What are the big plans for 2010?

Craig: The Arts Education Summit will be a very important moment for our community. With the huge cuts looming for public education, we need to ask ourselves how important are the arts in our public schools. Up until now, the LBUSD has always been able to say, "very important!". Now they need our help with new strategies to keep up this proud position of support. The summit will bring together key stakeholders in that effort.

In the new year we will be partnering with several City Council members to bring forward important arts initiatives. These won't necessarily add costs to our City budget, rather look with fresh eyes on ways to help the arts thrive in the City. The arts are as important as ever, and we will be helping to make that case.


Comments
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7 Comments so far.
Scott Blumenthal
Nice interview, Sander. Craig you have done a very credible job in the short time you have been onboard and have instituted some good programs. Keep up the good work. Long Beach has really come up the last few years in all the arts. That's a great thing for all! I'd personally like to see more murals in and around the city as they alieviate blight and give neighborhoods inspiration and beauty. Wishing you both a Merry Christmas and a good holiday season!

Lisa Wibroe
Thanks Sander, for an enlightening interview.

Arts Advocate
I am glad to see Craig's leadership, he's sees that this a great city, and there's no reason why with this diversity the arts shouldn't be thriving!

arts patron
Thank you Sander for a very enlightening interview. I'm glad to know that Craig Watson believes that the LBUSD has always been able to say that the arts are "very important" in our public schools. I'm reminded that the LBUSD is a school district with 50 elementary schools serving aprox. 50,000 students which doesn't have a single paid art specialist or a dedicated art room in any of it's 50 schools. THAT is an important fact that perhaps he is not aware of. If you see him around town, would you let him know? Maybe they could talk about that at the summit.Thanks!

JoeS
This should be privately funded. There is no justification to use taxpayer money. People work hard and deserve to spend their money at their own discretion. If you love art, get out your own checkbook, don't take money from others. This is the equivalent of welfare for the wealthy.

Opposite Man
JoeS, I believe art should be taught in our elementary schools as it helps one to develop critical thinking skills, as well as problem solving practices, inner exploration, etc. Much more funding is needed in this area. As of now, don't believe the hype. There is very little art in the majority of our elementary schools in Long Beach. There's a lot of talk, but one only has to speak to more than 2 or 3 elementary school teachers to learn that all of that funding has long since been eliminated. For the statement to be made "Up until now, the LBUSD has always been able to say, "very important!"....is absurd. Don't believe me? Simply go to your local elementary school and ask a teacher/principal for the designated art room, art supplies, art budget, art instructor, etc. Long Beach Unified is one of the few local districts that does NOT participate in the LA County ARTS for All Program, which actually utilizes donated resources to elementary schools for free. I have taken the time to speak to the facilitators of this program, and they tell me that Long Beach is all talk and no action....at least, that is how they see it. In regards to your statement that "This is the equivalent of welfare for the wealthy"....I couldnt agree with you more. As a full-time artist/craftsman/"sell out" of two decades, I have never believed that one should rely on hand-outs and welfare in the form of grants. You call it welfare, I call it poverty-mindset. It teaches artists to be needy, and enforces the current civic mind set that art is something you do on the side. Mean while, would be self supporting artists are taught to beg. This shows up in the forms of wooden nickels, art leaders who are NOT FULL TIME artists themselves, and self proclaimed successful civic events that are not transparent in regards to tax-payers money spent, earned, etc. Finally, I will say that your statement, as well as mine, is not favorable amongst those who buy into the "hooray for everything-the arts a alive and well-awards for everyone-feel good business" mindset that i see growing around me. I think everyone's heart is in the right place, but I believe there is a lack of honesty and self awareness in regards to this movement. How can I make such a statement? Well, we have an "Orange Twist" in the middle of the street in Long Beach that cost 100k+. The artist who was paid for this project doesn't even live in California, let alone Long Beach. It may sound crazy, but I can think of a few other places that money could have gone to support our local arts education. Now, you tell me.....If the people making these decisions created this work, how well do you think they are at looking at their own actions and accountability? There is a current belief that all artist must come together and join hands and sing songs in order to survive. As a full-time artist, I see this grouping of "artists" to be a kiss of death. We sink, you sink. I would rather assist individual artist in ways that teach them how to be self-supportive, and not a burden on the tax payer. Believe it or not, it is possible. But the practice of such things can only be taught by those who do it FULL TIME. I tend to be suspect of the self proclaimed art leaders and advocates who really, forgive me for stating it here, have never really supported themselves with art. I am not a trust fund baby, nor a self proclaimed advocate looking to rattle some cages so that I may get a paid job by the city. Rather, I am a FULL TIME artist who is struggling to survive, and unwilling to beg for your hard earned money to do so. I would rather provide a service that you find of value, and exchange currency for such things. But thats just me... Thank you JoeS for being so bold, and for pointing out the fact that the king has no clothes...

arts patron /artist
"I would rather provide a service (or a product) that you find of value, and exchange currency for such things." exactly! and all the rest of it as well. truth trumps belief every time. believe what you like but the LBUSD's art program in elementary grades is non existent. and that's where you need it most. thank you Joe & OM. the truth needs to be told. exactly how much $ did Schooled in Song make for public school arts education? how much was the check for and where was it deposited?

Culture Agent
Sander lives with his wife, step-daughter, two dogs, two cats, two fish, and two aquatic frogs. He's an avid nature photographer, and enjoys creating close-up images of flowers and plants.

Sander Roscoe Wolff is a musician, artist, and was co-founder and Executive Director of LongBeachCulture.org, the City's first comprehensive, and free, arts portal.

He has served on the boards of the 2nd City Council Art Gallery + Performance Space and the East Village Arts District, curated a 6 month gallery exhibition in the Long Beach World Trade Center, and produced Songs For Bethune, a CD of original and traditional holiday songs by local artists, to raise funds for the Arts Council's Passport to the Arts program.

His work has been featured in local gallery exhibitions, in SoundWalk, and L.A. Siggraph's Photon Ballet. His current music project is Ain Soph Aur, a systems based improvisational duo.

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